PLAY ON WORDS

 

Written

by

Michael Currie

 

Copyright ă 2000


Dramatis Personae

 

in order of appearance

 

Dr. Vincent Lloyd......the asylum director

Agnes..................a new patient

Vivian.................Agnes’ sister

Alice..................a mental patient

Chuck..................a mental patient

Tiina..................a mental patient

Police Officer.........a police officer

 

Scenes

 

SCENE 1: INT. ASYLUM LOBBY – DAY

 

SCENE 2: INT. ASYLUM CELL – DAY

 

SCENE 3: INT. ASYLUM LAB – DAY

 

SCENE 4: INT. ASYLUM CELL – EVENING

 

SCENE 5: INT. DR. LLOYD’S OFFICE - NIGHT

 

SCENE 6: INT. ASYLUM LAB - NIGHT

 


1    INT. ASYLUM LOBBY - DAY

 

CUE GERMAN PUNK MUSIC (Wizo).

 

     SPOTLIGHT.

 


     Lloyd is rocking back and forth in a state of madness.  A bell rings as Agnes and Vivian enter from the door.

 


CUE DOORBELL, WHICH STOPS PUNK MUSIC.

 

     FULL LIGHTS.

 

     This shocks Lloyd, who suddenly stands up and puts on a fake smile.  Agnes barks from time to time throughout this scene.

 

CUE RAIN NOISE.

 

                        VIVIAN

              Goodness, it is really coming down out there!

 

                        LLOYD

              Welcome to Collingwood Insane Asylum.  My name is Dr. Lloyd.  And this must be Agnes.

 

                        AGNES

              The cows... Easy, Bessie, easy... No – you can’t eat me.  No - I said no!  No!

 

                        VIVIAN

              Mmm-hmm.  And I’m her sister, Vivian.  As I mentioned on the phone, she’s quite delusional.  You will take good care of her, won’t you?

 

                        LLOYD

              We give all our “guests” the best care possible.

 

     Cries from within.

 

                        VIVIAN

              Did you hear something?

 

                        LLOYD

              Oh, that’s just one of our guests answering the voices he hears.  Nothing to worry about.

 

                        VIVIAN


              Agnes, is there anything you’d like to say before I go? 

 


                        AGNES

              The cows... they’re all around me... those angry, angry cows.  They’re going to kill me!  The cows... the cows...

 

                        VIVIAN

              Ok.  Good luck.  I know this place might seem strange, but it’s for the best.  I’ll see you as soon as I can.  A month or two at the most.  Please, Agnes.  Try to get better.  Don’t fret, I’ll be back soon.

 


                        LLOYD

                   (suddenly on-edge)

              Fret?  What a strange choice of words.

 

                        AGNES’S SISTER

              Goodbye, Agnes.  Get well, and you’ll be able to leave this place.  Good day to you, Dr. Lloyd.  Take care of my Agnes...

 

                        LLOYD

                   (Overlaid with Vivian’s last sentence)

              Fret fret fret fret fret fret fret.

 

CUE RAIN NOISE.

 

     Lloyd quickly shuts the door on Vivian.

 

     CUT LIGHTS.

 

2    INT. ASYLUM HALL – DAY

 

     LIGHTS ON.

 

     Lloyd escorts Agnes to her cell.  Chuck, Tiina and Alice are contained within the cell.

 

                        ALL IN CELL

              Help!  Save us!  We’re trapped!  Set us free!  Don’t let Dr. Lloyd...

 

                        LLOYD

              It’s of no use – she’s already left.

 

                        CHUCK

              That was our first visitor in weeks!  A chance to escape, and we missed it.

 

                        LLOYD

                   (to himself, almost mockingly)


              Don’t fret.  Don’t fret.

 


     Lloyd pushes her in.  She is confronted with four perfectly sane people wearing straight jackets.

 

                        LLOYD

              I’ll be right back with the elixir, Agnes.

 

     Exit Lloyd.

 

                        TIINA

              This must mean Lloyd has enough people to go through with his “experimentation”.

 

                        ALICE

              I wish we had some idea exactly what his “experimentation” will be.

 

                        CHUCK

                   (to Agnes)

              Hello there.  Can you hear me?

 

     Agnes is staring off into space.

 

                        ALICE

              That’s pointless, Chuck.  She’s still quite mad.

 

                        AGNES

                   (slowly getting angry)

              The cows... they’re floating... don’t turn your back to me, Bessie!  Aaa!  You’re hurting me.  Ow!  Ow!  Ow!  The cows!!

 

     Agnes goes mad with paranoia about the cows she is seeing.  The others try to hold her down.

 

     Lloyd returns with an elixir.

 

                        LLOYD

              Lick some of the elixir that’s now on your face.  It’ll make you better.

 

     He hands her the elixir.  She drinks it.

 

                        LLOYD

              Now read this, Agnes.  Read this out loud.

 

     He hands her a piece of paper.

 

                        AGNES

                   (severely agitated)

              The world is on its head, for I am mad,

              But below my abuse lies a calm sea,

              That calm, when found, will bring an altered lad,

              Gone from Lucifer; my mind is set free.

 

     Agnes immediately wakes from her delusions.

 

                        AGNES

              The ravenous cows... they’re gone!  I’m cured!  No more will those angry beasts disrupt my thoughts.  I’m sane again!  Thank you so much, Dr. Lloyd!  How can I ever repay you?

 

                        CHUCK

              Don’t worry, you’ll be paying dearly for your sanity.  Given the choice between madness and captivity, I would certainly pick madness.  What good is a clear mind when you’re locked up in a cell and can’t use it?

 

                        AGNES


              But I’m cured!  Surely I’m free to go now...

 


                        LLOYD

              I’m sorry, Agnes, but you can’t leave just yet.  My master plan depends on having exactly 5 people, and now I finally have enough.  So before I let you go I’ll have to run the...“experimentation”.


 

                        CHUCK

              You’re crazy.  I’m getting out of here!  I’ve had enough of your loony plans, Doctor!

 

     Chuck lunges at Lloyd.

 

                        TIINA

              No, Chuck!  Don’t...

 

     Lloyd holds him back with one hand and injects him with a needle with the other hand.  Chuck collapses instantly, and falls asleep.

 

                        LLOYD

              Night, night, Chuck.  I’ll see you all in the morning.


 


     Exit Lloyd.

 

                        ALICE

              Agnes, I’m afraid you’re trapped here, and for a very long time.  Dr. Lloyd will never let us leave.

 

                        AGNES

              I don’t understand.  You people all seem to be in perfect mental health.

 

                        TIINA

              We all are, thanks to Dr. Lloyd’s treatment.  He developed it himself right here at Collingwood.

 

                        ALICE

              The combination of the elixir and mantra cures all mental illness.  Only...

 

                        TIINA

              Only Dr. Lloyd made the mistake of trying it out on himself first.  It turns out that what makes the insane sane...

 

                        AGNES

              ...Makes the sane insane.  How plausible.  That poor man!

 

                        TIINA

              Dr. Lloyd has a very odd type of insanity.  He is extremely paranoid about the use of “peculiar” words.  If someone used a “peculiar” word, he would murder them.  It wasn’t long before he had done away with his entire staff.

 

                        ANGES

              Well, then why hasn’t he killed us yet?

 

                        ALICE

                   (voice cracking with fear)

              That’s the scariest part. He tells us he has “special plans” for us.

 

                        TIINA

              No one knows what his ultimate goal is.  But all I can think about is how he calls the ones who are already dead the “lucky ones”.  And with you here, he can finally finish his “experimentation”.  I’m so scared, I can’t sleep.


 


                        AGNES

              “Special plans”.  I can scarcely wait.

 

     CUT LIGHTS.

 

3    INT. ASYLUM LAB - DAY

 

     LIGHTS ON.

 

     Lloyd escorts Alice to a chair in the middle of the lab, and ties her up.  He sets to work with his tools at a bench beside the chair.

 

                        ALICE


              What creepy test are you going to conduct today?

 


     Lloyd holds up various instruments in reference to his speech.

 

                        LLOYD

              You’ll be glad to know the probing stage is complete.  Today I’ll be measuring your brainpan with these tongs.

              I’m almost ready to conduct the “experimentation”, you know.  Just a few more parts...


 


     Lloyd measures Alice’s brainpan with tongs.

 

                        ALICE

              Doctor Lloyd, your patients would really like to know exactly what you’re almost ready for.  (Beat.)  Does it involve us?

 

                        LLOYD

              Oh, yes.  Most definitely.

 

                        ALICE

                   (emphasis on ”portentous”, the peculiar word)

              Well tell us!  You’ve kept us here against our will for months now.  I’ve been in here so long, I don’t even know what season it is anymore.  It’s portentous that you let us leave...

 

     Alice realizes that she used a peculiar word.

 

                        ALICE

              No, Dr. Lloyd – that was a mistake. I didn’t mean to use a peculiar word.  Really, no, please, no...

 

     Alice’s voice is cut as the needle paralyses her vocal cords.

 

                        LLOYD

                   (angry)


              Portentous?  With eye-offending brine: all this to season.

 


     Lloyd injects Alice with a needle that prevents her from speaking.

 

     CUT LIGHTS.

 

4    INT. ASYLUM CELL - EVENING

 

     LIGHTS ON.

 

     The guests sit in the cell. Lloyd throws Alice back in.

 

                        LLOYD

              Perhaps some paralysed vocal cords will teach you not to talk like that.  This time, it’s not permanent.

 

CUE THUNDER.

 

                        LLOYD

              Almost time.  Almost time.

 

     Exit Lloyd.  Alice is gasping to try to say something

 

                        TIINA

              What is it, Alice?

 

                        CHUCK

              I think she’s holding something... it almost...

 

     Alice gives up and shows them: she has a set of keys.

 

                        CHUCK

              Oh my god, you pinched the doc’s keys!  We can finally escape this mad asylum!  At last, we have a prospect to leave.  Good work, Alice!

 

                        TIINA

              C’mon, let’s get out of this horrid cell.  I want to breathe fresh air again.

 

                        AGNES

              Maybe we should think about this first.  If Dr. Lloyd caught us, he would murder us!  This is just me, but I’d rather breathe stale asylum air than not breathe at all.

 

                        ALICE

                   (regaining her voice)

              He’s kept us alive this long for a reason.  He needs us for something.  Let’s leave before we have to find out what. 

 

                        AGNES

              You people have been in this place too long, your minds aren’t working right.  We’re going to get caught if we leave, Dr. Lloyd knows this place too well.  I’m staying here.

 

                        TIINA

              Agnes, it’s not nobler to suffer the slings and arrows of outrageous fortune.  Let’s take arms against our sea of troubles...


 


                        AGNES


              And by opposing, end them.  Exeunt!

 


     Exeunt.

 

     BLACKOUT.

 

5    INT. DR. LLOYD’S OFFICE - NIGHT

 

     LIGHTS ON.

 

     Enter Chuck, Alice, Agnes and Tiina.

 

                       

                        CHUCK

                   (exasperated)

              How the heck do we get out of this place?  We’ve gotta hurry, he’s going to find us!


 


                        AGNES

              There are so many corridors... and they all look the same.

 

                        TIINA

              This looks like Dr. Lloyd’s office!

 

     Tiina goes up to the desk, and begins looking through papers.

 

                        ALICE

              Tiina, get away from there!  That’s not helping us find the exit.

 

                        CHUCK

              We’d better keep moving – He’s probably discovered we’re missing by now.

 

                        TIINA

                   (reading)

              “A Play of Preposterous Proportions - by Dr. Vincent Lloyd.”

 

                        ALICE

              Why would Dr. Lloyd be writing a play?

 


     Lloyd enters inconspicuously.

 


                        LLOYD

                   (suddenly)

              Why indeed!

 

                        AGNES

              Gasp!

 

                        CHUCK

              Egad!

 

                        ALICE

              Gad zukes!

 

                        TIINA

                   (high-pitched and drawn out)

              Oh no!


 


                        LLOYD

              It appears that you’ve uncovered my plans a little prematurely.  It is of no consequence, however, since you are still my captives and cannot escape to tell a soul.

 

                        AGNES

              What is so sinister about writing a play?

 

                        LLOYD

              As you are all no doubt aware, after my elixir drove me mad, I developed an intense hatred of peculiar words.  After much killing, I came to realize that I was only killing the messengers – I should go after the source.

 

                        CHUCK

              The dictionary?

 

                        LLOYD

                   (cringes as he says each peculiar word)

              Don’t be foolish, Chuck.  No one actually reads the dictionary!  No, the source of all these peculiar words is none other than the bard himself, Mr. William Shakespeare.  Between “thee” and “thou”, and “yonder” and “partake”, it’s more than enough to drive a mad man mad!


 


                        TIINA

              Sorry, Dr. Lloyd.  You’re trying to murder a ghost.  Shakespeare’s been dead for 400 years!

 

                        LLOYD


              Yes, he is dead.  His plays, however, are alive and well.  I have to eliminate them all so as to stop the spread of all those peculiar words.  Thus I have decided the only way to stop people from reading his plays is to write even better ones.  We must become the new Shakespeare!

 


                        CHUCK

              What do you mean, we?

 

                        LLOYD

              Oh, you’ll all find out quite soon enough.  Ha ha ha ha ha!

 

     The others nervously join in with his laughing.  Soon, they’re all laughing hysterically, until Lloyd screams one final “ha” at them and they suddenly fall into an intimidated silence.


 


                        LLOYD

              Now, if you’ll all come with me, I can begin the “experimentation”.

 

                        CHUCK

              I don’t think so, Shakespeare!

 

     With that, Chuck lunges at Lloyd. 

 

                        LLOYD

              I’m afraid that syringe was filled with a little bit more than you’re used to, Chuck.

 

                        ALL

              Gasp!

 

     Tiina kneels down beside Chuck.

 

                        TIINA


               Chuck!

 


                        CHUCK

              In faith, my hand meant nothing to my sword.

 

                        LLOYD

              How sad.


 


     Chuck dies.  The women run out of the room.  Lloyd drags Chuck out of the scene. 

 

CUE THUNDER.

 

     Lloyd finds another needle from his desk, squirts some liquid from it into the air.  The women reappear from the other side.

 

                        ALICE

                   (looking back)

              Girls, quick – the exit’s gotta be this way.

 

     But Lloyd is right in from of her.

 

                        LLOYD

              Ladies, if you’ll come with me with minimal fuss, I’d greatly appreciate it.  For you see, we have precious little time!

 

CUE THUNDER.

 

     Lloyd escorts the ladies out.

 

     BLACKOUT.

 

6    INT. ASYLUM LAB - NIGHT

 

     LIGHTS ON.

 

     Chuck, Tiina, Agnes and Alice have their heads tied together, in the middle of the lab.  Lloyd is preparing equipment at a table.

 

                        AGNES

                   (anxious)


              What are you going to do to us, Dr. Lloyd?

 


                        LLOYD

              I suppose now is the time to finally tell you what I’m going to do with you.  I have created an invention that makes my insanity-be-gone elixir pale in comparison.  The Quintuple Brain Fusion!

 


     Lights flicker as Lloyd plugs in the Brain Fuser.

 


                        ALL

              Gasp!

 

                        LLOYD

              That’s right.  For five hundred years men have yearned to concoct a play as good as Hamlet, or King Lear.  They have all failed.  But where they were failures, we will succeed.  With five...four minds all working as one, we will defeat Shakespeare and his retched plays.  If you’ll pardon the pun, the stage is set for Shakespeare’s final demise!


 


                        AGNES

              You won’t succeed, Dr. Lloyd!  Everyone loves Shakespeare.  And you’ll never be able to write a play as good as his were.

 

                        LLOYD

              Sorry, Agnes.  Arguing only agitates the mind, and that will hurt the fusion process.  Quiet, all of you!  Quiet!

 

     A long pause.

 


                        ALICE

              Dr. Lloyd, I think I’m going to be sick.  I need something to drink.

 

                        LLOYD

              You’ll live, Alice.  Your futile ploy to get me to untie you won’t work.

 

                        TIINA

              Alice gets sick all the time.  You know that, Dr. Lloyd.  If you don’t let her go, she’ll make a mess of all your fancy equipment.

 

                        LLOYD

              I’m not a fool!  You may go.  But I’ll warn you now: If you try to escape, I’ll murder these two so their deaths will be on your head!

 

                        ALICE

              I’ll be back straight away.  I promise.

 

     Lloyd loosens the straps on Alice.  She leaves.  Beat.


 


                        TIINA

              You know, Agnes, those clothes you’re wearing look very... sinewy... on you.

 

                        LLOYD

                   (to himself)

              Sinewy... that’s a strange word.

    

                        AGNES

              Yes, they are quite... sinewy.

 

                        LLOYD


              Sinewy... sinewy... stop it! 

 


                        TIINA

              Almost too sinewy, I’d say.

 

                        LLOYD

                   (breaking down)

              Stop... using... peculiar... words!  Sinewy sinewy sinewy sinewy sinewy sinewy!

 

     Lloyd starts writing the word out on the chalkboard.  Re-enter Alice.  She picks up a needle and approaches Lloyd, who has his back to Alice.

 

                        ALICE

              Take THAT, you sinewy bastard!


 


     With that, Alice stabs the needle into Lloyd’s back.  He collapses.

 

                        LLOYD

              Myself by with a needle, that I might prick.  How wrong I was.


 


     Lloyd dies.  Alice unties the girls.

 

CUE SIRENS.

 

                        ALICE

              That must be the police.  I called them on Dr. Lloyd’s office phone.

 

     Enter officer.  He surveys the situation.

 

                        OFFICER

              My, my, my.  The kindly old warden of Collingwood insane asylum, brutally murdered in cold blood by his escaped mental patients!

 

                        ALICE

              But officer, he was trying to fuse our brains together!

 

                        OFFICER

              Yep, looks like you’ll be going to a real prison now.  Tsk, tsk, tsk.

 

                        AGNES


              Really, we didn’t do anything wrong!  It was all self defence!

 


     The officer shushes each syllable Agnes makes.

 

                        OFFICER

              Take it to the judge, ladies; I don’t want to hear it.  But here’s some free legal advice:  When you get to court, I think you should plead insanity!


 


     BLACKOUT.

 

     LIGHTS ON.

 

     Curtain call.

 

     BLACKOUT.

 


- END –